I wanted to share a new Author Sue Grafton who was the Author of the ABC Murders about Kinsey Millhone although there will be no Z in the series because she passed away from Cancer before she was able to write the last book. I haven’t had the opportunity to read any of the books but my mother n law collects them and I plan on borrowing A from her to see how I like it and she gave me S. My only question is if you’ve read the series do they have to be read in order?
The Kinsey Millhone Alphabet Series
prominent divorce attorney with a reputation for single-minded ruthlessness on behalf of his clients, Fife was also rumored to be a dedicated philanderer. Plenty of people in the picturesque Southern California town of Santa Teresa had a reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access, and opportunity, Nikki was their number one suspect. The jury thought so too.
Eight years later and out on parole, Nikki Fife hires Kinsey Millhone to find out who really killed her late husband.
A trail that is eight years cold. A trail that reaches out to enfold a bitter, wealthy, and foul-mouthed old woman and a young boy, born deaf, whose memory cannot be trusted. A trail that leads to a lawyer defensively loyal to a dead partner—and disarmingly attractive to Millhone; to an ex-wife, brave, lucid, lovely—and still angry over Fife’s betrayal of her; to a not-so-young secretary with too high a salary for too few skills—and too many debts left owing: The trail twists to include every turn until it finally twists back on itself with a killer cunning enough to get away with murder.
prominent divorce attorney with a reputation for single-minded ruthlessness on behalf of his clients, Fife was also rumored to be a dedicated philanderer. Plenty of people in the picturesque Southern California town of Santa Teresa had a reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access, and opportunity, Nikki was their number one suspect. The jury thought so too.
Eight years later and out on parole, Nikki Fife hires Kinsey Millhone to find out who really killed her late husband.
A trail that is eight years cold. A trail that reaches out to enfold a bitter, wealthy, and foul-mouthed old woman and a young boy, born deaf, whose memory cannot be trusted. A trail that leads to a lawyer defensively loyal to a dead partner—and disarmingly attractive to Millhone; to an ex-wife, brave, lucid, lovely—and still angry over Fife’s betrayal of her; to a not-so-young secretary with too high a salary for too few skills—and too many debts left owing: The trail twists to include every turn until it finally twists back on itself with a killer cunning enough to get away with murder.
He was young—maybe twenty or so—and he must once have been a good-looking kid. Kinsey could see that. But now his body was covered in scars, his face half-collapsed. It saddened Kinsey and made her curious. She could see he was in a lot of pain. But for three weeks, as Kinsey’d watched him doggedly working out at the local gym, putting himself through a grueling exercise routine, he never spoke.
Then one Monday morning when there was no one else in the gym, Bobby Callahan approached her. His story was hard to credit: a murderous assault by a tailgating car on a lonely rural road, a roadside smash into a canyon 400 feet below, his Porsche a bare ruin, his best friend dead. The doctors had managed to put his body back together again—sort of. His mother’s money had seen to that. What they couldn’t fix was his mind, couldn’t restore the huge chunks of memory wiped out by the crash. Bobby knew someone had tried to kill him, but he didn’t know why. He knew he had the key to something that made him dangerous to the killer, but he didn’t know what it was. And he sensed that someone was still out there, ready to pounce at the first sign his memory was coming back. He’d been to the cops, but they ‘d shrugged off his story. His family thought he had a screw loose. But he was scared—scared to death. He wanted to hire Kinsey.
His case didn’t have a whole lot going for it, but he was hard to resist: young, brave, hurt. She took him on. And three days later, Bobby Callahan was dead.
Kinsey Millhone never welshed on a deal. She’d been hired to stop a killing. Now she’d find the killer.
He called himself Alvin Limardo, and the job he had for Kinsey was cut-and-dried: locate a kid who’d done him a favor and pass on a check for $25,000. It was only later, after he’d stiffed her for her retainer, that Kinsey found out his name was Daggett. John Daggett. Ex-con. Inveterate liar. Chronic drunk. And dead. The cops called it an accident—death by drowning. Kinsey wasn’t so sure.
Pulled into the detritus of a dead man’s life, Kinsey soon realizes that Daggett had an awful lot of enemies. There’s the daughter who grew up with a cheating drunk for a father, and the wife who’s become a religious nut in response to an intolerable marriage. There’s the lady who thought she was Mrs. Daggett—and has the bruises to prove it only to discover the legal Mrs. D. And there are the drug dealers out $25,000. But most of all, there are the families of the five people John Daggett killed, victims of his wild, drunken driving. The D.A. called it vehicular manslaughter and put him away for two years. The families called it murder and had very good reason to want John Daggett dead.
Deft, cunning, and clever, this latest Millhone mystery also confronts some messy truths, for, as Kinsey herself says, “Some debts of the human soul are so enormous only life itself is sufficient forfeit”—but as she’d be the first to admit, murder is not a socially acceptable solution.
It was the silly season and a Monday at that, and Kinsey Millhone was bogged down in a preliminary report on a fire claim. Something was nagging at her, but she couldn’t pin it. The last thing she needed in the morning mail was a letter from her bank recording an erroneous $5,000 deposit in her account. Kinsey had never believed in Santa Claus and she wasn’t about to change her mind now. Resigning herself to a morning of frustration, she phoned the bank and, assaulted by canned carols, waited on hold for an officer to clear up the snafu. It was with something less than Christmas cheer that Kinsey faced off only minutes later with California Fidelity’s Mac Voorhies. Voorhies was smart, humorless, stingy with praise, and totally fair. He was frowning now. “I got a phone call this morning,” he said, his frown deepening. “Somebody says you’re on the take.” Suddenly the $5,000 deposit clicked into place. It wasn’t a mistake. It was a setup.
“E” is for evidence: evidence planted, evidence lost. “E” is for ex-lovers and evasions, enemies and endings. For Kinsey, “E” is for everything she stands to lose if she can’t exonerate herself: her license, her livelihood, her good name. And so she takes on a new client: namely, Kinsey Millhone, thirty-two and twice-divorced, ex-cop and wisecracking loner, a California private investigator with a penchant for lost causes—one of which, it is to be hoped, is not herself. As Kinsey begins to unravel the frame-up, she finds that her future is intimately tied to one family’s past and to the explosive secret it has protected for almost twenty years. Digging deeper, she discovers that probing the past can have lethal consequences as she follows a trail of murder that leads to her own front door. And in what may well be her most challenging case, Kinsey comes up against the fact that sometimes, “E” is forever.
Floral Beach wasn’t much of a town: six streets long and three deep, its only notable feature a strip of sand fronting the Pacific. It was on that sandy beach seventeen years ago that the strangled body of Jean Timberlake had been found.
The people of Floral Beach didn’t pay a whole lot of mind to past history, especially when Bailey Fowler, the self-confessed killer, had been properly processed and convicted. They weren’t even unduly concerned when, a year after the murder, Fowler walked away from the men’s prison at San Luis Obispo, never to be seen again. After all, everyone knew Jean had been a wild kid. “Like mother, like daughter,” some said—though never within hearing of Shana Timberlake, who, whatever her faults, still mourned her murdered child.
And then, by sheer fluke, the cops stumbled on Bailey Fowler. And a case seventeen years dead came murderously to life again.
For Royce Fowler, old and sick with not much time left, his son’s reappearance was the chance to heal an old wound. For Kinsey Millhone, the case was a long shot, but she agreed to take it on. She couldn’t know then it would lead her to probe the passions buried just below the surface of family relations, where old wounds fester and the most cherished emotions become warped until they fuse into deadly, soul-destroying time bombs.
It’s the fifth of May and Kinsey is celebrating her 33rd birthday. One of her presents is a call from a fellow detective warning her that she’s made the hit list of Tyrone Patty (a killer she helped track down) and suggesting she hire a bodyguard. But Kinsey has better things to do with her money. Instead, she takes on her next case—tracking down her new client’s eccentric mother who is missing from her trailer home on the edge of the Mojave Desert. But before she can get very far in the case, Kinsey is run off the road by a red pickup truck, wrecking her ’68 Volkswagen and landing herself in the hospital.
Maybe a bodyguard is a good idea after all… Enter Robert Dietz, a burnt-out detective, “late forties, five ten, maybe 170, [who arrives in] jeans, cowboy boots, a tweed sport coat with a blue toothbrush protruding from the breast pocket like a ballpoint pen.” The stage is set for “G” is for Gumshoe, in which Grafton is at her very best, revealing new dimensions to Kinsey and offering a deeply layered and twisted tale where “the body-count [is] high; the sexual encounters feverish; and the villains chilling” (Kirkus Reviews).
His name was Parnell Perkins, and until shortly after midnight, he’d been a claims adjustor for California Fidelity. Then someone came along and put paid to that line of work. And to any other. Parnell Perkins had been shot at close range and left for dead in the parking lot outside California Fidelity’s offices.
To the cops, it looked like a robbery gone sour. To Kinsey Millhone, it looked like the cops were walking away from the case. She didn’t like the idea that a colleague and sometime drinking companion had been murdered. Or the idea that his murderer was loose and on the prowl. It made her feel exposed. Vulnerable.
Bibianna Diaz was afraid for her life. If there was one thing she knew for sure, it was that you didn’t cross Raymond Maldonado and live to tell the tale. And Bibianna had well and truly crossed him, running out on his crazy wedding plans and going into hiding in Santa Teresa light years away from the Los Angeles barrio that was home turf to Raymond and his gang. Now she needed money to buy time, to make sure she’d put enough space between them. And the quickest way she knew to get money was to work an insurance scam—just like the ones Raymond was running down in L.A. The trouble was, Bibianna picked California Fidelity as her mark. And it wasn’t long before her name surfaced in one of Parnell Perkins’s open files and Kinsey was on her case. But so, too, was her spurned suitor, Raymond Maldonado.
He had a rap sheet as long as his arm, a hair-trigger temper that was best left untested, and an inability to take no for an answer. He also had Tourette’s syndrome, which did nothing to smooth out the kinks in his erratic and often violent behavior. All in all, Raymond Maldonado was not someone to spend a lot of time hanging out with. Unfortunately for Kinsey, she didn’t have a lot of choice in the matter. Not after the love-sick Raymond kidnapped Bibianna. Like it or not, Kinsey was stuck baby-sitting Bibianna along with Raymond and his macho crew. You might say she was a prisoner of love.
It may be Kinsey Millhone’s most complicated and risk-filled case. It certainly is Sue Grafton’s wittiest venture into low-life crime.
Readers of Sue Grafton’s fiction know she never writes the same book twice, and “I” is for Innocent is no exception. Her most intricately plotted novel to date, it is layered in enough complexity to baffle even the cleverest among us.
Lonnie Kingman is in a bind. He’s smack in the middle of assembling a civil suit, and the private investigator who was doing his pretrial legwork has just dropped dead of a heart attack. In a matter of weeks the court’s statute of limitations will put paid to his case. Five years ago David Barney walked when a jury acquitted him of the murder of his rich wife, Isabelle. Now Kingman, acting as attorney for the dead woman’s ex-husband and their child (and sure that the jury made a serious mistake), is trying to divest David Barney of the profits of that murder. But time is running out, and David Barney still swears he’s innocent.
Patterned along the lines of a legal case, “I” is for Innocent is seamlessly divided into thirds: one-third of the novel is devoted to the prosecution, one-third to the defense, and a final third to cross-examination and rebuttal. The result is a trial novel without a trial and a crime novel that resists solution right to the end.
When Kinsey Millhone agrees to take over Morley Shine’s investigation, she thinks it is a simple matter of tying up the loose ends. Morley might have been careless about his health, but he was an old pro at the business. So it comes as a real shock when she finds his files in disarray, his key informant less than credible, and his witnesses denying ever having spoken with him. It comes as a bigger shock when she finds that every claim David Barney has made checks out. But if Barney didn’t murder his wife, who did? It would seem the list of candidates is a long one. In life, Isabelle Barney had stepped on a lot of toes.
In “I” Is for Innocent, Sue Grafton once again demonstrates her mastery of those telling details that reveal our most intimate and conflicted relationships. As Kinsey comments on the give-and-take by which we humans deal with each other, for better and sometimes for worse, the reader is struck yet again by how acute a social observer Ms. Grafton can be. Frequently funny and sometimes caustic, she is also surprisingly compassionate—understanding how little in life is purely black and white. Except for murder. Somewhere out there, a killer waits to see just what Kinsey will find out. Somewhere out there, someone’s been getting away with murder, and this time it just might turn out to be Kinsey’s.
“I” is for Innocent is Sue Grafton in peak form. Fast-paced. Funny. And very, very devious.
“J” is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz.
“In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was MY investigation into the dead man’s past that triggered the inquiry into my own, and in the end the two stories became difficult to separate.”
Five years ago, when Jaffe’s thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he’d gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot.
“Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn’t belong, it was odd to realize how little attention I’d paid to my own past. I’d simply accepted what I was told, constructing my personal mythology on the flimsiest of facts.”
But Jaffe wasn’t quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full. Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up.
As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe’s pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it’s better to reserve judgment.
“J” is for judgment: the kind we’re quick to make and often quicker to regret.
“J” is for Judgment: Kinsey Millhone’s tenth excursion into the dark places of the heart where duplicity is the governing rule and murder the too-frequent result.
Lorna Kepler was beautiful and willful, a loner who couldn’t resist flirting with danger. Maybe that’s what killed her.
Her death had raised a host of tough questions. The cops suspected homicide, but they could find neither motive nor suspect. Even the means were mysterious: Lorna’s body was so badly decomposed when it was discovered that they couldn’t be certain she hadn’t died of natural causes. In the way of overworked cops everywhere, the case was gradually shifted to the back burner and became another unsolved file.
Only Lorna’s mother kept it alive, consumed by the certainty that somebody out there had gotten away with murder.
In the ten months since her daughter’s death, Janice Kepler had joined a support group, trying to come to terms with her loss and her anger. It wasn’t helping. And so, leaving a session one evening and noticing a light on in the offices of Millhone Investigations, she knocked on the door.
In answering that knock, Kinsey Millhone is pulled into the netherworld of unavenged murder, where only a pact with the devil will satisfy the restless ghosts of the victims and give release to the living they have left behind.
Eleven books into the series that has won her readers around the world, Sue Grafton takes a darkside turn, pitching us into a shadow land of pain and grief where killers still walk free, unaccused, unpunished, unrepentant. With “K” is for Killer she offers a tale that is dark, complex, and deeply disturbing.
Kinsey’s skills are about to be sorely tested. She is about to meet her duplicitious match in a couple of world-class prevaricators who quite literally take her for the ride of her life.
“L” is for Lawless: Call it Kinsey Millhone in bad company. Call it a mystery without a murder, a treasure hunt without a map, a quest novel with truly mixed-up motives. Call it the return of Kinsey as bad girl—quick-witted and quicksilvery, smart-mouthed and smartalecky-poking her nose into everyone’s dirty laundry as she joins up with a modern-day Bonnie and Clyde in an Our Gang comedy that will take her halfway across the country and leave her with a major headache and an empty bank balance.
America’s favorite borderline delinquent is back with her one-liners on tap and her energy level on high, romping through her fastest and funniest adventure in this, her twelfth foray into the alphabet of crime.
“M” is for money. Lots of it. “M” is for Malek Construction, the $40 million company that grew out of modest soil to become one of the big three in California construction, one of the few still in family hands.
“M” is for the Malek family: four sons now nearing middle age who stand to inherit a fortune—four men with very different outlooks, temperaments, and needs, linked only by blood and money. Eighteen years ago, one of them—angry, troubled, and in trouble—went missing.
“M” is for Millhone, hired to trace that missing black sheep brother.
“M” is for memories, none of them happy. The bitter memories of an embattled family. This prodigal son will find no welcome at his family’s table. “M” is for malice.
And in brutal consequence, “M” is for murder, the all-too-common outcome of familial hatreds.
“M” is for malice…and malice kills.
Kinsey Millhone should have done something else—she should have turned the car in the direction of home. Instead, she was about to put herself in the gravest jeopardy of her career.
Tom Newquist had been a detective in the Nota Lake sheriff’s office—a tough, honest cop respected by everyone. When he died suddenly, the townsfolk were saddened but not surprised: Just shy of sixty-five, Newquist worked too hard, smoked too much, and exercised too little. That plus an appetite for junk food made him a poster boy for an American Heart Association campaign.
Newquist’s widow didn’t doubt the coroner’s report. But what Selma couldn’t accept was not knowing what had so bothered Tom in the last six weeks of his life. What was it that had made him prowl restlessly at night, that had him brooding constantly? Selma Newquist wanted closure, and the only way she’d get it was if she found out what it was that had so bedeviled her husband.
Kinsey should have dumped the case. It was vague and hopeless, like looking for a needle in a haystack. Instead, she set up shop in Nota Lake, where she found that looking for a needle in a haystack can draw blood. Very likely, her own.
“N” is for Noose: a novel in which Kinsey Millhone becomes the target and an entire town seems in for the kill.
The call comes on a Monday morning from a guy who scavenges defaulted storage units at auction. The weekend before, he’d bought a stack of cardboard boxes. In one, there was a collection of childhood memorabilia with Kinsey’s name all over it. For thirty bucks, he was offering Kinsey the lot.
Though she’s never been one for personal possessions, curiosity is a powerful force. She agrees to meet the guy, then hands over a twenty (she may be curious, but she’s also cheap and she loves a bargain).
What she finds among the items is an old undelivered letter to her that will force her to reexamine her beliefs about the breakup of her first marriage…about the honor of her first husband…and about an old unsolved murder.
It will put her life in the gravest peril.
“O” is for Outlaw: Kinsey’s fifteenth excursion into the dark side of human nature.
Through fourteen books, readers have been fed short rations when it comes to Kinsey Millhone’s past: a morsel here, a dollop there. We know about the aunt who raised her, the second husband who left her, the long-lost family up the California coast. But husband number one has remained a blip on the screen. Until now. “O” is for Outlaw: a revealing excursion into Kinsey’s past.
Now available in a trade paperback value edition!
Dr. Dowan Purcell had been missing for nine weeks when Kinsey got a call asking her to take on the case. A specialist in geriatric medicine, Purcell was a prominent member of the Santa Teresa medical community, and the police had done a thorough job. Purcell had no known enemies and seemed contented with his life. At the time of his disappearance, he was running a nursing care facility where both the staff and the patients loved him. He adored his second wife, Crystal, and doted on their two-year-old son.
It wasn’t Crystal who called Kinsey. It was Purcell’s ex-wife, Fiona. Everything about their meeting made Kinsey uneasy. Fiona’s manner was high-handed and her expectations unrealistic. Kinsey’s instincts told her to refuse the job, yet she ended up saying, “I’ll do what I can, but I make no promises.”
It was a decision she’d live to regret.
Pursuing the mysterious disappearance of Purcell, Kinsey crashes into a wall of speculation. It seems everyone has a theory. The cops think he went on a bender and is too ashamed to come home. Fiona is sure he ran off to get away from Crystal, and Crystal is just as sure he’s dead. The staff at the nursing home is convinced he’s been kidnapped, and one of his daughters, having consulted a psychic, is certain that he’s trapped in a dark place, though she doesn’t know where. Kinsey is awash in explanations and sorely lacking in facts. Then pure chance leads her in another direction, and she soon finds herself in a dangerous shadow land, where duplicity and double-dealing are the reality and, with the truth glinting elusively out of reach, she must stake her life on a thin tread of intuition.
“P” is for Peril: Kinsey Millhone’s latest venture into the darker side of the human soul.
Now available in a trade paperback value edition!
She was a “Jane Doe,” an unidentified white female whose decomposed body was discovered near a quarry off California’s Highway 1. The case fell to the Santa Teresa County Sheriff’s Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the murder remained unsolved.
That was eighteen years ago. Now the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case. Old and ill, they need someone to help with their legwork and they turn to Kinsey Millhone. They will, they tell her, find closure if they can just identify the victim. Kinsey is intrigued and agrees to the job.
But revisiting the past can be a dangerous business, and what begins with the pursuit of Jane Doe’s real identity ends in a high-risk hunt for her killer.
“Q” is for Quarry is based on an unsolved homicide that occurred in 1969, and Grafton’s interest in the case has generated renewed police efforts. During the past year, the body was exhumed and a nationally known forensic artist did the facial reconstruction that appears in the closing pages of “Q” is for Quarry. Both Grafton and the dedicated members of the Santa Barbara Sheriff’s Department are hoping the photograph will trigger memories that may lead to a positive identification.
On the day Jane Doe was reburied, many officers were at the gravesite. “It’s eerie,” Grafton writes, “to think about the power this woman still has. Here we are, thirty-three years later, and she still wants to go home.”
Now available in a trade paperback value edition!
Reba Lafferty was a daughter of privilege, the only child of an adoring father. Nord Lafferty was already in his fifties when Reba was born, and he could deny her nothing. Over the years, he quietly settled her many scrapes with the law, but he wasn’t there for her when she was convicted of embezzlement and sent to the California Institute for Women. Now, at thirty-two, she is about to be paroled, having served twenty-two months of a four-year sentence. Nord Lafferty wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers.
It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the rules of her parole. Maybe a week’s work. Nothing untoward—the woman seems remorseful and friendly. And the money is good.
But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling round.
Readers have come to expect the unexpected from Sue Grafton, and “R” is for Ricochet is no exception. In it, a complex and clever money-laundering scheme is just a cover for a novel that is all about love: love gone wrong, love betrayed, love denied. And love avenged. For Reba Lafferty, its moral is clear; Sometimes what you hand out in life comes back to bite you in the ass. Sometimes the good guys win, even when they lose.
Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again.
In the small California town of Serena Station, tongues wagged. Some said she’d run off with a lover. Some said she was murdered by her husband.
But for the not-quite-seven-year-old daughter Daisy she left behind, Violet’s absence has never been explained or forgotten.
Now, thirty-four years later, she wants the solace of closure.
In “S” is for Silence, Kinsey Millhone’s nineteenth excursion into the world of suspense and misadventure, “S” is for surprises as Sue Grafton takes a whole new approach to telling the tale. And “S” is for superb: Kinsey and Grafton at their best.
mass market paperback | Published by Berkley | ISBN13: 9780425212691
tres•pass \’tresp?s\ n: a transgression of law involving one’s obligations to God or to one’s neighbor; a violation of moral law; an offense; a sin
Webster’s New International Dictionary, Second Edition, Unabridged
In what may be her most unsettling novel to date, Sue Grafton’s “T” is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene.
Though set in the late eighties, “T” is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric.
Once again, Grafton opens up new territory with startling results.
mass market paperback | Published by Berkley | ISBN13: 9780425224847
It’s April, 1988, a month before Kinsey Millhone’s 38th birthday and she’s alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he’d be carded if he tried to buy booze, but Michael Sutton is 27, an unemployed college drop-out. Twenty-one years before, a four-year old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey’s help in locating the child’s remains and finding the men who killed her. It’s a long shot but he’s willing to pay cash up front and Kinsey agrees to give him one day. As her investigation unfolds, she finds out Michael Sutton has an uneasy relationship with the truth. In essence, he’s the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?
Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner—”a heroine,” said The New York Times Book Review, “with foibles you can laugh at and faults you can forgive.”
A spiderweb of dangerous relationships lies at the heart of V is for Vengeance, Sue Grafton’s daring new Kinsey Millhone novel.
A woman with a murky past who kills herself—or was it murder? A spoiled kid awash in gambling debt who thinks he can beat the system. A lovely woman whose life is about to splinter into a thousand fragments. A professional shoplifting ring working for the Mob, racking up millions from stolen goods. A wandering husband, rich and ruthless. A dirty cop so entrenched on the force he is immune to exposure. A sinister gangster, conscienceless and brutal. A lonely widower mourning the death of his lover, desperate for answers, which may be worse than the pain of his loss. A private detective, Kinsey Millhone, whose thirty-eighth-birthday gift is a punch in the face that leaves her with two black eyes and a busted nose.
And an elegant and powerful businessman whose dealings are definitely outside the law: the magus at the center of the web.
V: Victim. Violence, Vengeance.
Two dead men changed the course of my life that fall. One of them I knew and the other I’d never laid eyes on until I saw him in the morgue.
The first was a local PI of suspect reputation. He’d been gunned down near the beach at Santa Teresa. It looked like a robbery gone bad. The other was on the beach six weeks later. He’d been sleeping rough. Probably homeless. No identification. A slip of paper with Millhone’s name and number was in his pants pocket. The coroner asked her to come to the morgue to see if she could ID him.
Two seemingly unrelated deaths, one a murder, the other apparently of natural causes.
But as Kinsey digs deeper into the mystery of the John Doe, some very strange linkages begin to emerge. And before long at least one aspect is solved as Kinsey literally finds the key to his identity. “And just like that,” she says, “the lid to Pandora’s box flew open. It would take me another day before I understood how many imps had been freed, but for the moment, I was inordinately pleased with myself.”
In this multilayered tale, the surfaces seem clear, but the underpinnings are full of betrayals, misunderstandings, and outright murderous fraud. And Kinsey, through no fault of her own, is thoroughly compromised.
W is for . . . wanderer . . . worthless . . . wronged . . .
Of #1 New York Times-bestselling author Sue Grafton, NPR’s Maureen Corrigan said, “Makes me wish there were more than 26 letters.” With only two letters left, Grafton’s many devoted readers will share that sentiment.
X: The number ten. An unknown quantity. A mistake. A cross. A kiss.
X: The shortest entry in Webster’s Unabridged. Derived from Greek and Latin and commonly found in science, medicine, and religion. The most graphically dramatic letter. Notoriously tricky to pronounce: think xylophone.
X: The twenty-fourth letter in the English alphabet.
Sue Grafton’s X: Perhaps her darkest and most chilling novel, it features a remorseless serial killer who leaves no trace of his crimes. Once again breaking the rules and establishing new paths, Grafton wastes little time identifying this sociopath. The test is whether Kinsey can prove her case against him before she becomes his next victim.
Of #1 New York Times-bestselling author Sue Grafton, NPR’s Maureen Corrigan said, “Makes me wish there were more than 26 letters.” With only one letter left, Grafton’s many devoted readers will share that sentiment.
The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate—and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state’s evidence and two of his peers are convicted. But the ringleader escapes without a trace.
Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents—until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find. . .
Meet the Author: Sue Grafton
#1 New York Times-bestselling author Sue Grafton is published in twenty-eight countries and in twenty-six languages—including Estonian, Bulgarian, and Indonesian. Books in her alphabet series, beginning with A is for Alibi in 1982 and most recently, X, are international bestsellers with readership in the millions.
Named a Grand Master by the Mystery Writers of America, she has also received many other honors and awards, including the Lifetime Achievement Award from the Private Eye Writers of America, the Ross Macdonald Literary Award, the Cartier Diamond Dagger Award from Britain’s Crime Writers’ Association, the Lifetime Achievement Award from Malice Domestic, the Anthony Award given by Bouchercon, and three Shamus Awards.
Like Raymond Chandler and Ross Macdonald, Grafton has earned new respect for the mystery form. Her readers appreciate her buoyant style, her eye for detail, her deft hand with character, her acute social observances, and her abundant storytelling talents. But who is the real Sue Grafton? Many of her readers think she is simply a version of her character and alter ego Kinsey Millhone. Here are Kinsey’s own words in the early pages of N Is for Noose:
“So there I was barreling down the highway in search of employment and not at all fussy about what kind of work I’d take. I wanted distraction. I wanted some money, escape, anything to keep my mind off the subject of Robert Deitz. I’m not good at good-byes. I’ve suffered way too many in my day and I don’t like the sensation. On the other hand, I’m not that good at relationships. Get close to someone and the next thing you know, you’ve given them the power to wound, betray, irritate, abandon you, or bore you senseless. My general policy is to keep my distance, thus avoiding a lot of unruly emotion. In psychiatric circles, there are names for people like me.”
Those are sentiments that hit home for Grafton’s readers. And she has said that Kinsey is herself, only younger, smarter, and thinner. But are they an apt description of Kinsey’s creator? Well, she’s been married to Steve Humphrey for more than thirty-five years and has three children, four granddaughters, and one great grandson. She loves cats, gardens, and good cuisine—not quite the nature-hating, fast-food loving Millhone. So: readers and reviewers beware. Never assume the author is the character in the book. Sue, who has a home in Montecito, California (“Santa Teresa”) and another in Louisville, the city in which she was born and raised, is only in her imagination Kinsey Millhone—but what a splendid imagination it is.
Sue passed away in December 2017.
- An interview with Sue Grafton about V is for Vengeance
- Kinsey’s PI Report on Sue
- Sue answers readers’ questions
- G is for Grafton, a biography of Sue
Thank you,
Glenda, Charlie and David Cates
